After Love, There Is Us

After love turns into harm, a plural voice rebuilds: poems that name what happened and insist on new forms of tenderness beyond obedience.   A collective voice rises from experiences of violent love. These poems name coercion, trace its marks on bodies and language, and propose new ways of relating tenderly in the plural. Eloísa Castro’s expressive drawings deepen the text, and open spaces of intimacy without softening the truth: healing is a political act.